Sunday, 22 February 2009

An idea...

If I don't decide to resolve my line drawings (more to come) then I want to experiment more with my photographs. I came across this piece of work below in the Victoria and Albert Museum, which is a concept I want to try out.

It involves many photographs being put together to form one large image...







Fourth Short Film Depicting a Tree
(2000)
Noel Myles









This tree is composed from 184 separate 35mm photographs. The landscapes extend beyond one viewpoint and moment in time, acting perhaps more like film than traditional photography.

Trees in snow












Print elective so far...

We have had two sessions of our print elective and I have been linking in with my current 'What is a Line?' subject of trees. Here are some designs in drypoint, followed by monoprint.













Saturday, 21 February 2009

Exhibition at Liberty - British Landscape Photography







Liberty exhibition linked with the Photographer's Gallery.


















I couldn't believe the amount of images, interesting photograph layouts, and ideas I got from them, I came across while in London on the subject of trees relating to my 'What is a Line?' brief.















Blue Hour - Part of a series by Chrystel Lebas


















I was more interested in these photographs because of how they were displayed. I like the idea of repeated images, each one slightly different each time. This could work well with some of my strongest photographs.






























In Darkness Visible by Nicholas Hughes
(photographing the 'frail residue of the contemporary wilderness and our relationship to it)















Ernst Fischer - Trees of London
I think this set of three photographs are really strong as a set or on their own due to the dramatic lighting in the frame.

London Design Museum...

I really enjoyed looking round the Design Museum and have photographed some of the work that particularly interested me.

Even the colour coded wall labels looked good!



























































These Big Brother Logo Designs by Daniel Eatock immediately caught my eye and it was interesting to see them all together to see how they work in a sequence, but each adaptation still has a fresh look. It was nominated by Quentin Newark who said:
"There is no other graphic identity as brave and exploratory...an elegant, thoughtful emblem for the mainstream...It always has a fresh appearance, a new minting, whilst being recognisably the same symbol."


















Designed by street artist Shepard Fairey. I really like this propaganda poster style that was designed to raise money for Obama's Presidential Campaign. It was based on David Turnley's photograph.















This 'Statistical representation of economic situation' was designed by The Guardian design team. I just really like the innovative approach to making statistics look more desirable and interesting. It's a simple layout that avoids confusion and the bright colours draw in the reader of the paper, so they can understand the UK's economy without having to read pages of boring text.












































Letman's typographic designs have been described as colourful craft, and after seeing his work in the February issue of Creative Review, his designs are a lot more individual and visually striking in the museum. He has a distinctive layout throughout his designs but each one is very experimental and different.











































































All the Time in the World
"Commissioned by the curators at Artwise, for Heathrows Terminal 5, the design trio Troika have created a 22 metre long electroluminescent wall. Rather than showing the different time zones of the capital cities, this piece of communication extends the conventional idea of a world clock, linking real-time to places with exciting and romantic associations...The animated letters and numbers that appear on the screen can be shown in up to 5 different fonts."

"Function and fantasy in one, ...a decent description of what good design should be all about."
Patrick Burgoyne



































Pixel Clock, France
(A honeycomb effect fibreglass clock with 300 LEDs designed by Francois Azambourg)

What is a Line - London Photographer's Gallery

Unfortunately when I visited the Gallery it was in the process of setting up an exhibition for the Deutsche Borse Photography Prize 2009 so there wasn't much to see but I bought these postcards in the Gallery shop as research towards my visual language:

Photograph of English Channel by Hiroshi Sugimoto
















Northern New Mexico by Ansel Adams
















Plank Walk, Morecambe, Lancashire by Michael Kenna




















In the Sierra Nevada by Ansel Adams